I sat there at the conclusion of the opening pre-credits
sequence, numb and confused. “What did I just watch?” Sam Mendes is a ‘serious
filmmaker’ and thus he tried to do something impressive by starting the film
with a nearly unbroken take taking us through the crowded streets of Mexico on
the Day of the Dead (I’m guessing there’s a break somewhere we can’t see). In
the process, he created something that I believe is a first for the Bond series: a
suspenseless opening salvo. The only suspense here was in the waiting for
something to actually get excited about, which never materialized. I had been
eagerly anticipating this film for months, even more so when Christoph Waltz’s
casting was announced. But less than fifteen minutes in, I was already having
serious doubts. Then as the credits rolled, those doubts got much, much worse.
Saturday, November 7, 2015
Thursday, November 5, 2015
Anticipating Spectre: Brosnan Revisionists
There is a peculiar movement of historical revisionism
afoot. People are unable to accurately remember things that
happened within the last two decades, and instead spin them to whatever ends they feel
best suits their chosen perspective. I’m not talking politics here, I am
talking something far more important. Would James Bond still be a viable
cinematic property were it not for Pierce Brosnan?
Wednesday, November 4, 2015
Anticipating Spectre: The best James Bond Theme songs
I sat down to revisit the Brosnan films as a warm-up for
this week’s release of Spectre. In doing so, I was reminded painfully of one of
the worst periods in Bond theme music. In my teenaged years, I carried with me a
cassette of 13 original James Bond themes and cherished listening to them all –
the good and the bad. It is hard to fathom first of all that there have been
ten more films since I owned that cassette. Harder to fathom is the mere idea
that I could even stomach listening to such a compilation today. Let’s face it,
a few of the more recent entries in the canon have missed the mark, but fewer
still have achieved the lasting legacy that many of those of the bygone
Moore/Connery era hold. So I figured, why not rank them all, worst to first,
with category rankings to group them. And I'll let you know where I rank the latest some time after Friday. ;)
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